2014.7.18【英译中】意大利人的身份:“贫穷艺术”打造者吉尔曼诺·切兰(求意语支援)

星桨 (River) 路人甲
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发表于:2014-07-18 22:35 [只看楼主] [划词开启]

因为工作的原因开始翻译艺术类资讯,最耗时的就是专有名词翻译了,如果主角来自非英语国家,那又多一道工序,姓名音译要知道发音,展览名要得明确是什么意思。不过比起从前翻译建筑脚手架资料,现在我是求仁得仁,又何怨乎。

p.s. 标题是我自己拟的




Germano Celant  is an art critic, best known for his work as Senior Curator of Contemporary Art at the Solomon R. Guggenheim Museum in New York and as contributing editor to the art reviews Artforum and Interview.

吉尔曼诺·切兰,著名艺术评论家,纽约所罗门R.古根海姆当代艺术博物馆高级策展人,《艺术论坛》及《采访》杂志固定撰稿人。

 He received the Frank Jewett Mather Award in 1987 for exceptional art criticism.
1987年,他以艺术评论成就获得弗兰克·尤埃特·马瑟奖。

Celant is the curator of the Fondazione Aldo Rossi in Milan, and Fondazione Emilio e Annabianca Vedova in Venice.
切兰是米兰阿尔多·罗西基金会和威尼斯爱米尼奥·维多瓦基金会策展人。

Since 1993, Celant has been serving as Artistic Director of the Prada Foundation in Milan. Under his leadership, the foundation has over the years presented shows of Walter de Maria, Louise Bourgeois, Anish Kapoor, David Smith, Michael Heizer, Sam Taylor-Wood, and Steve McQueen, among others, in Milan and Venice
从1993年起,切兰特担任米兰普拉达基金会的艺术总监一职,在他任职期间,该基金会在数年之年为多位艺术家在威尼斯和米兰举办了展览,包括瓦尔特·德·马利亚,路易丝·布尔乔亚,亚尼什·瓦布尔,大卫·史密斯,麦克·海瑟,萨姆·泰勒-伍德以及史蒂夫·麦奎因。

Celant is known throughout the world for his elaboration of a theory on Arte Povera.
切兰因策划了“贫穷艺术”这一概念艺术而举世闻名。

Throughout his career he has organized exhibitions such as Conceptual Art, Arte Povera, Land Art (Civic Museum, Turin, 1970); Environment/Art (Venice Biennial, 1976); Identite' Italienne (Georges Pompidou Centre, Paris, 1981); and The Knot Arte Povera (PS1 Museum, New York, 1985).
在他的事业生涯中,他组织了以下展览:观念艺术展、贫穷艺术展、大地艺术展(1970年都灵市民博物馆),环境/艺术展(1976年威尼斯双年展);意大利人的身份展(1981年巴黎乔治·蓬皮杜文化艺术中心);以及贫穷艺术之结(1985年纽约大都会博物馆PS1馆)。

He also organized a traveling exhibition entitled Il corso del coltello, which was shown in the Palacio de Cristal in Madrid, the Guggenheim Museum in New York, the Georges Pompidou Centre in Paris and the Museum of Contemporary Art in Los Angeles.
此外,瑟兰特发起的巡回展览“刀的路线”曾在马德里水晶宫、纽约古根海姆博物馆、巴黎蓬皮杜中心以及洛杉矶现代艺术馆展出。

 In 1996 he was joint Artistic Director of the first Florence Biennial, dedicated to art and fashion, and in 1997 was the curator the 47th International Art Exhibition of the Venice Biennial.
1996年他担当第一届佛罗伦萨双年展联合艺术指导,致力于艺术和时尚,在1997年,他担任第47届威尼斯双年展国际展的策展人。

A full account of Germano Celant's life's work would need to encompass many things: his work as director of the Venice Biennale, senior curator at the Solomon R. Guggenheim Museum, artistic director of the Prada Foundation, and artistic supervisor for Genoa's year as European Capital of Culture in 2004; his responsibility for major exhibitions, such as "Identité italienne. L'art en Italie depuis 1959" (Centre Georges Pompidou, 1981), and 'Italian Metamorphosis, 1943-1968' (Guggenheim, 1994); his extensive work as a writer on design and art and his editorial role in magazines such as Artforum.
要全面总结切兰的艺术生涯需要涵盖多方面的内容:他身为威尼斯双年展指导的工作,古根海姆博物馆高级策展人的职位,普拉达基金会艺术总监的身份以及2004年成为热内亚“欧洲文化之都”之年的艺术指导都令人瞩目;身为策展人,举办了多次大型展览,比如1959年在威尼斯举办、1981年在蓬皮杜中心再开的“意大利人的身份”展以及1994年在古根海姆博物馆举办的“意大利变形记,1943至1968”展;作为艺术评论家他在设计和艺术领域孜孜不倦地为类似《艺术论坛》一类的杂志撰写评论。

Yet Celant is best known for and will remembered in future for his part in the making of Arte Povera – the making in the decisive historical phase, and the re-making in the sense of the reconfiguring of Arte Povera from the 1980s as an umbrella under which the Italian artists once again exhibited their work as a group in Europe, North America and across the world.

但切兰长久以来以及将来的名誉都主要来自于他在打造“贫穷艺术”关键阶段起到的历史性作用,从他在80年代以来重塑“贫穷艺术”这一方面来说,意大利艺术家们在他的庇护之下得以作为一个整体再一次在欧洲、北美洲乃至全世界活动。

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